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Atomos Ninja TX Go 5″ HDMI & Wi-Fi Monitor-Recorder
Camera control & touch to focus on supported cameras
Record in Apple ProRes, Avid DNx or H.265
Quieter, cooler temperature while using
Capture to CFexpress Type B or USB-C storage


Description
Introducing the Atomos Ninja TX Go 5 HDMI & Wi-Fi Monitor-Recorder. A compact yet powerful monitoring and recording solution designed for filmmakers, videographers, and content creators who require professional performance in a portable form factor. Featuring a bright 5.2-inch Full HD touchscreen with an impressive 1500-nit display, the Ninja TX Go provides outstanding visibility in both indoor studios and challenging outdoor environments. Its durable aluminium and ABS plastic construction, combined with an actively controlled cooling system, ensures quieter operation and reliable performance during extended recording sessions while maintaining a lightweight design of just 400g for easy mounting on cameras, rigs, and gimbals.
Designed to streamline modern production workflows, the Ninja TX Go supports HDMI 2.0 and Wi-Fi 6E connectivity, making it an ideal companion for a wide range of mirrorless, DSLR, and cinema cameras. The recorder captures footage directly to Atomos-certified CFexpress Type B media or compatible USB-C storage devices, supporting professional recording formats including Apple ProRes RAW, Apple ProRes, Avid DNxHD, DNxHR, and H.265. With support for RAW recording up to 6K at 30fps, as well as 4K UHD and DCI recording up to 60fps, the Ninja TX Go delivers exceptional image quality while maintaining compatibility with industry-standard post-production workflows. USB-C camera control also enables supported cameras to utilise start/stop recording, ISO, shutter speed, aperture, white balance adjustments, and touch-to-focus directly from the monitor. For accurate image evaluation, the Ninja TX Go includes an extensive range of professional monitoring tools that help creators achieve precise exposure, focus, and colour management. Features such as waveform monitoring, RGB parade, vectorscope, focus peaking, false colour, EL Zone exposure, zebra patterns, anamorphic desqueeze, onion skin overlays, safe area markers, and custom cinematic and social media frame guides provide complete confidence during production. The monitor supports numerous Log gamma curves and colour gamuts from leading camera manufacturers including Sony, Canon, ARRI, Panasonic, RED, Nikon, Fujifilm, and JVC, while comprehensive 3D LUT support allows users to preview graded footage accurately in both HDR and SDR workflows.
The Ninja TX Go is also built for today's connected production environments, offering direct camera-to-cloud workflows through ATOMOSphere, Adobe Frame.io, and Dropbox for faster collaboration and content delivery. Users receive 20GB of complimentary ATOMOSphere cloud storage, making it easier to upload footage directly from set for remote review and editing. Additional conveniences such as over-the-air firmware updates, playlist creation, simultaneous proxy recording, timelapse recording, and flexible power options via NP-F batteries, USB-C Power Delivery, or optional AC solutions ensure the recorder is ready for virtually any production scenario. Combining professional recording capabilities, advanced monitoring tools, cloud connectivity, and exceptional portability, the Atomos Ninja TX Go is an excellent choice for creators seeking a streamlined and efficient video production workflow.
Please Note: Memory Card Not Included.
Features
- Camera control & touch to focus on supported cameras
- Record in Apple ProRes, Avid DNx or H.265
- Quieter, cooler temperature while using
- Capture to CFexpress Type B or USB-C storage
- Super-bright, 1500nit 5-inch touchscreen display
- HDMI 2.0, Wi-Fi 6E input and output
- Direct upload to ATOMOSphere, Frame.io, Dropbox
- Streaming via NDI 6
- Powered by USB-C, NP-F battery or AC adaptor
- Get 20GB cloud storage FREE with ATOMOSphere
- Over the air (OTA) firmware updates
Specifications
| Brand | Atomos |
| Physical | |
| Dimensions | 151mm x 92mm x 36mm |
| Weight | 400gms |
| Mount points | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| Environmental | |
| Ambient operating temperature | Up to 40 degrees Celsius |
| Construction | |
| Body | Aluminium with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
| Power | |
| Input voltage | 6.2V to 16.8V DC |
| Operating power | Up to 30W |
| Multi-function button | Power / lock screen |
| Continuous power | Via NP-F battery or USB-C PD Power |
| DC in connector | Via Battery Eliminator (optional) |
| DTAP | Up to 30W |
| USB PD IN | 45W capable, power supply required |
| USB PD OUT | Up to 13W |
| Display | |
| Size | 5.2-inch |
| Resolution | 1920 x 1080 |
| Backlight Type | Edge lit |
| Brightness (cdm2 / Nits) | 1500 |
| Aspect ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
| Video Input | |
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | Wi-Fi 6E |
| W52/W53 bands | 5GHz operation for indoor use only. |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Video Output | |
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
| HDMI | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| Network | |
| Wi-Fi | Wi-Fi 6E |
| USB | 2 x USB-C 2.0/3.0 |
| Connectivity | |
| Bluetooth | No |
| LANC | Yes |
| Audio In/Out | |
| HDMI | 8-channel, 24-bit |
| Analogue Audio Line In | 3.5mm headphone jack, 2-channel input |
| Headphone Out | 3.5mm headphone jack, 2-channel |
| Timecode | |
| Embedded | HDMI |
| Time of day | Yes |
| Reference / Genlock input | No |
| LTC | No |
| Wireless AirGlu RF Server and Client | No |
| Wireless AirGlu BT Server | No |
| Resolution & Frame Rates (Record, Monitor & Playback) | |
| RAW | Up to 6Kp30 |
| 4K DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080 | Yes |
| 1080p | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50/59.94/60i |
| 720p | 50/59.94/60p |
| Supported Media | |
| CF Express | Atomos certified CF Express type B media |
| USB | Atomos certified USB 3.0 media |
| File System | ExFAT |
| Codecs | |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| Playback | |
| Playlist | Yes, create customer playlists from full or sub-clips |
| Loop | Yes, with user-customizable in/out markers |
| Apple ProRes RAW | Yes, recorded clips |
| Apple ProRes | Yes, with linear PCM audio |
| Avid DNx | Yes, with linear PCM audio |
| H.265 | Yes |
| Recording | |
| Pre-roll | ProRes, DNxHD only |
| Timelapse | Yes |
| Simultaneous Proxy Record | Yes |
| On-screen Monitoring Tools | |
| Waveform | 3 sizes - adjustable opacity & brightness |
| RGB parade | 3 sizes - adjustable opacity & brightness |
| Vectorscope | 2 sizes - adjustable opacity & brightness |
| 1 x Zoom | Yes, 1:1 pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Color | Yes, with scale |
| ARRI False Color | Yes |
| EL ZONE | Yes |
| Zebra | Yes, adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
| Onboard Signal Processing | |
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD | Loop out - 4K UHD to HD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
| Remote Control | |
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack | Calibration via optional USB to serial cable |
| AirGlu BT | No |
| AirGlu RF | No |
| Camera Control | |
| USB-C | Start/stop recording, ISO, shutter, aperture, white balance, touch to focus (for supported cameras) |
| Camera to Cloud | |
| ATOMOSphere | Direct progressive upload supported (20GB free storage) |
| Adobe Frame.io | Direct progressive upload supported (separate subscription service) |
| Dropbox | Direct progressive upload supported (separate subscription service) |
Package Contents
- 1x Ninja TX GO monitor-recorder
- 1x USB-C locking cable adaptor
- 1x HDMI locking cable adaptor
- 2x Wi-Fi antenna
- 5x antenna tips (black, white, yellow, green, red)
- 2x antenna caps
- 1x USB-C locking cable (45cm)
- 1x Quick Start Guide
| Free Shipping | No |
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